Pinoy Students Corner

Saturday, March 10, 2007

Bugtong at Sagot

Monday, March 5, 2007

Ilocano Folk Songs

Ilocano Folk Songs

1. Ti Ayat ti maysa nga ubing

2. Imdengam O Imnas

3. AGMAYMAYSA KA TOY PUSOK

4. Manang Biday

5. Pamulinawen

6. Kasasad ti Kinabalasang

7. Bannatiran

8. Duaduaem Pay

8. SAGUDAY

9. NO SIAK TI AGAYAT

10. AGDAMDAMILIKAMI

11. NAGIMAS KAN MAYYANG
12.
Kanta Ti Ulila

13. Ilocano A Nadayag

14. Laguerta Ti Langit

15. Bulan Sardam

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16. As asug dagiti

17. Ti Dayaw

18. Ti Saluyot

19. Toy Datonko

20. Dagiti Mulak

21. Sainita

22. Mannamili

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Tagalog Christmas Songs, Pinoy OPM Christmas Songs

Capampangan Folk Songs

Capampangan Folk Songs

1. Ing Aldo Ning Quequeng Casal

2.Ating
Saug a Malati

3. E Ca Mamaco, E Mu Cu Lalacuan

4. Capampangan Cu

5. O Matas a Banua

6. Atin Cu Pung Singsing (Tagalog Version)

7. O Caca O Caca

8. Atin Cu Pung Singsing (Capampangan)
9. Ating Metung a Dalaga

10.QUETA PU QUECAMI

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Tagalog Songs,Tagalog OPM,Tagalog Songs lyrics,
folk songs,lyrics,Filipino singers,Bicolano folk songs,
Tagalog Folk Songs,Visayan folk songs , Capampangan folk songs,
Ilocano folk songs,Filipino singers, Filipino folk dance,
Tagalog Christmas Songs, Pinoy OPM Christmas Songs

Saturday, March 3, 2007

Butuan Folk Songs

1. Buyayang buyayang

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Ilocano folk songs,Filipino singers, Filipino folk dance,
Tagalog Christmas Songs, Pinoy OPM Christmas Songs

Friday, March 2, 2007

Known as Tandang Sora, Melchora Aquino, the Mother of the Revolution was born in Banilad, Kalookan City, on January 6, 1812 .

Using her small sari-sari store as refuge, she fed,treated and encouraged Bonifacio with her motherly advice and prayers the Katipuneros under the leadership
of Andres Bonifacio .

She was already old when the revolution broke out in 1896. She had very little education but she was literate.

She was aptly called the "Mother of Katipunan." When the Spaniards learned about her activities, they arrested her and exiled her to the Marianas islands.

When the Americans took possession of the Philippines in 1898, Tandang Sora, like other exiles returned to the Philippines, poor and aging. For a time, she lived with her daughter Saturnina.

On March 2, 1919, she died at the age of 107.

Philippine Heroes,Melchora Aquino

Monday, January 29, 2007

Questions or Suggestions for Topics that you would like to see in this blog

If you have questions or suggestions for topics tha you want to find in this blog, please write them in the comment box.

Tuesday, January 23, 2007

Sinulog Festival-Cebu City

SINULOG FESTIVAL

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Philippine Pictures

The Sinulog is a dance ritual in honor of Santo Nino. It is held every year in Cebu City on the third Sunday of January.

This Sinulog dance which is the traditional and ritual dance in honor of Santo Nino is distinguished from the Ati-atihan from Panay Island.

Accompanied by the sound of the drums the sequences include the
all the time moving two steps forward followed by one step backward. Though the dance is already very old, the parade that characterized the festival was started onl in 1980.

Contrary to the belief of some, Sinulog was already danced by the locals in honor of their wooden statues in the period before the Cebuanos were baptized. Later on, after the image of the famous Santo Niño was brought to Cebu and the Catholic faith was established in the region, the dance was made a part of the early fiesta in honor of the Santo Nino.

While dancing, people are shouting petitions and thanksgivings to the Santo Nino. Shouting is necessary because the pilgrims have to be sure that they will be heard by the Santo Nino.
"Pit Senor! Senor Santo Nino."

SINULOG FESTIVAL,Mardi Gras,Sto.Nino,Cebu City

Monday, January 22, 2007

ATI-ATIHAN-KALIBO, AKLAN

SINULOG FESTIVAL is to Cebu City while the Ati-Atihan is a festival in honor of the Holy Infant Jesus in Kalibo, Aklan also celebrated in the third week of January. The dancing however is done on the rhythms of the drums that makes this festival comparable with carnival in Rio in Brazil.

A parade is participated by celebrants who paint their faces in many different ways and who are dressed in the most exceptional costumes.

The practise of painting the faces was long observed before the
Spaniards came. It symbolized the friendship between the light-skinned immigrants from the island of Borneo (Kalimantan) in Indonesia and the Atis, the local people of Panay. The Ati (negritos), a small and dark (black) kinky-haired people, sold them a small piece of land and allowed them to settle down in the lowlands. The Atis themselves, lived more upland in the mountains.

One time the Ati people was in need of food because of a bad harvest in their homelands. They came down to the lowlands of the Maraynon and asked them food. Every year since then, the Atis came down to the lowland inhabitants to ask for some food. They danced and sang in gratitude for the help.

SINULOG FESTIVAL,eyes,Sto.Nino,Cebu City,Ati-Atihan

Saturday, January 20, 2007

MANOBO DANCE

The various dances among the Manobo entertain, educate, and propitiate the gods. Among the Agusanon are the sinundo/singangga, dance ritual to ward off epidemic busau; pangaliyag, courtship dance; pangasawa, marriage ritual; kinugsik-kugsik, squirrel dance. Those witnessed and described by Garvan (1931) in 1910 are the bathing dance, honey gathering dance, hair plucking dance, sexual dance, and dagger or sword dance.

The Agusanon and Umayamnon saet, Cotabato saut, and Western Bukidnon kedsaut is a war dance of one or two warriors, each holding either a war bolo or a spear with a bell attached to it, and a shield. In the kedsaut, the two dancers begin from opposite sides of the dance area, brandishing their shields and shaking their spears. First, they dance sideways, then they imitate a hawk in flight before they finally engage in mock combat, each hitting the other's shield with his spear and crashing shield against shield, "navel to navel" (Plenda 1989:139). Rhythmic music is provided by the bells attached to their spears.

An Arumanen Manobo verson of the war dance is the mangmangayan, with two bagani each brandishing a sundang (bolo) and a kampilan (sword). Every once in a while, in the course of the dance, they adjust their tangkulo (headgear). The Pulangi Manobo's version of the mangmangayan ends with a peace pact and a celebration dance which the women join. The datu/bai, acting as arbiter, places a kerchief on the ground and all the warriors place their weapons on it to signify peace and end of the hostilities.

Other Arumanen Manobo dances are the paningara (bee hunt), pegako (courtship dance), and pendaraka (woman's response to the courtship). The kinudlat ng sayao demonstrates the performer's ability to touch his shoulders with his toes. The penarangas-tangas and manmanaol are both hawk dances, which a bagani and a woman perform. In the manmanaol, the hawk catches its prey, represented by a kerchief on the floor.

The binanog (hawk dance) mimics a hawk sweeping down on its prey. The Cotabato Manobo version has a female dancer using a kerchief, which she drops and then picks up while using her hands and arms to imitate the hawk. The steps are simple hop-steps and slide-steps. She wears earrings that reach down to the shoulders and anklets. The beat is a slow 1-2-3-4. Among the Pulangi Manobo, the binanog is a component of the courtship dance. Two other Manobo dances imitating bird movements are the kakayamatan and the bubudsil (hornbill). These dances may be accompanied by gongs or zithers.

A vigorous courtship dance is the pig-agawan, which involves two women vying for the attention of one man. A bai and a datu try to settle the dispute between the two women. A slow walking dance exclusively for females of marriageable age is the takumbo, which signifies their availability for marriage. It is named after the musical instrument that accompanies their movements. Another woman's dance, also called takumbo, is performed by one woman who simultaneously dances and plucks the takumbo. She rests the takumbo on her waist while she holds it in her left hand.

In Kidapawan, Cotabato, girls dance around the mortar to the beat of their pestles as they pound rice. During harvest celebrations, the Tigwahanon have an occupational dance called inamong, in which men and women execute monkeylike steps as they step on rice stalks to separate the chaff from the grain. The bakbak is a children's comical dance; they hop and make noises by slapping their bodies while maintaining a squatting position throughout.

The agpanikop (fish hunt dance) of the Manobo of Matalam, north Cotabato, portrays a boy, torch and spear in hand, looking for edible frogs. A second boy joins him in the hunt after the initial mutual wariness is dispelled. The second boy is wounded and writhes in pain, the first boy fetches the womenfolk and the baylan. The dance turns into a healing dance ritual and the boy, fully recovered, joins the women and baylan in a thanksgiving dance.

The pangayam is a reenactment of a hunter in pursuit of a wild boar. He carries his lance and bolo and is accompanied by his dog, represented by a bottle to which a strip of red cloth is tied.

In the Umayamnon inanak-anak/bata-bata, a girl mimes a woman's chores. She pretends to take care of a baby, putting it to sleep, trying to stop its carrying, feeding it with milk. She goes to the fields to dig for camote, then washes and makes herself beautiful before a stream.

The Tigwahanon bangkakaw is a festival dance celebrating a war victory or a bountiful catch of fish from the river. The centerpiece is the bangkakaw (log), which the women beat with the ando (pestles) and the men, with lampus (rods) while doing some stunts over and under it. They provide the accompaniment for the dancing fisherfolk, who carry their catch in their bubo (fish traps) and liag (large basket with a headsling).

A thanksgiving ritual in Magpet, North Cotabato, is the binadbad, which begins with the men facing heavenwards as they address the gods. Atop (coconut palms) are suspended at the center of the dance area. Then women join the dance, their attention on the atop, which they gather one by one. They then vary their formations, each holding an atop. Another woman joins them, gathers all the atop from them, and returns these to the center.

Among the western Bukidnon Manobo, the dance of the healing ritual is the legudas. Women holding hands form a circle around the baylan, who chants to the busaw, requesting it to return to the deity that has sent it to cause the illness. The men then stand between the women in the circle. The women wear the saya (wraparound skirt), sinu-laman (embroidered blouse), embroidered belt, and tikes (knee band) with the seriyew (pewter bells). The rhythmic music is provided by the seriyew.

The haklaran, which has been observed among the Agusanon, Tigwahanon, and Umayamnon, is a healing ritual performed by a male and female baylan. A prelude to this is the ritual dressing of the male baylan in woman's skirt, usually a malong, for it is improper for a man to perform the haklaran in a man's attire. This dance is performed around the sankaw, an altar bearing the sacrificial offering of a pig's head.

The suyad-buya is the healing ritual dance in Magpet, North Cotabato. It dramatizes the process by which the baylan heals a sick boy as his mother and a group of young women watch. The women prepare the paraphernalia by bringing in a table on which they set four coconut shells containing burning incense. They also carry red ribbons meant to drive the evil spirits away. As they dance in the background, the baylan enters, dances around the patient and waves a white chicken overhead. The shaman takes the chicken to the table, cuts its neck, and smears the patient's forehead with its blood. The boy regains his health and dances joyfully with the women and his mother.

Tuesday, January 9, 2007

PROCESSION OF THE BLACK NAZARENE, QUIAPO, MANILA

Every 9th of January of the year and on Good Friday, a large procession takes
place through the streets of Quiapo, a small part of metro Manila. The procession which
dates back from the 17th centuryis joined by thousands of with the life-sized, black wooden statue of Jesus (of Nazarene). These men walk barefoot as a sign of humility.
The men yell "Viva Senor" to the Statue brought to Manila in 1606. People believe that a miracle can happen after touching it.

All participants in the procession hope that they will have the opportunity to touch the wooden statue. They hope that this will protect them from harm and ensure health in the future. Some of them follow the statue during the procession because they believe it is an atonement of their sins or hope for some miracle.

SINULOG FESTIVAL,Black Nazarene,Sto.Nino,Cebu City,Ati-Atihan

Friday, December 15, 2006

Simbang Gabi

Christmas in the Philippines starts when the month of the year ends with the BER.

This is when radio stations start playing Christmas carols on the air. Ours is one country that celebrates a mixture of Western and native Christmas traditions.

We send Christmas cards, decorate our houses with Christmas trees, mistletoes, Santa Claus and long strings of lights.
Manila and Makati, the two prime cities are converted into little Paris because of the galore of lights.

The Filipino Chistmas traditions however begin in December 15 for the dawn mass or Simbang Gabi. Masses are held as early as 5' o clock in the morning for nine consecutive days which culiminate on December 24, Christmas eve.

Young people look forward to seeing their friends dressed in their best; office workers come in their work clothes and mothers come with their sleepy kids whose motivation to come is the bibingka and puto bumbong that they buy after the mass.

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Christmas Songs,Tagalog Christmas Songs,OPM Christmas Songs

Monday, October 23, 2006

Juan Luna

Juan Luna
(1857-1899)

A genius of the brush and a patriot of the highest order. Creator
of the world-famous painting, SPOLARIUM, which was awarded the gold
medal in the Exposicion Nacional de Bellas Artes in Madrid in 1884.
It is also known as the greatest painting of all times.

Juan Luna y Novicio was born on October 23, 1857 in Badoc, Ilocos
Norte, Philippines, the third child of seven children. He showed
took up painting and traveled to Rome to study the masters. He settled
in Paris and married Maria de la Paz, a prominent Filipina from
the Mestizaje family of Pardo de Tavera. In a rage over his suspicion
of infidelity on the part of his wife, he mercilessly shot her and
her mother to death in September 1892. Tried by a French court
and subsequently convicted in 1893, he was sentenced to pay the
victims' immediate kin but one franc each for their loss, as the
court had deemed the murders a crime of passion. In 1894, Luna
returned to the Philippines after an absence of almost 20 years.

His most famous piece, The Spoliarium, for which he won top
prize at the 1884 Madrid Exposition, is currently in the National
Museum in Manila.

Upon his return to the Philippines, he was arrested two years
later under suspicion of sedition. He was later pardoned. His
brother, General Antonio Luna, was an active participant in the insurgent Katipunan movement.

In 1898, after the United States defeated Spain in the Spanish-American
War, the fledgling Philippine Republic appointed him as a delegate
to the Paris convention and to Washington, D.C. to help gain
recognition of Philippine sovereignty and independence.

Luna died in Hong Kong, December 7, 1899. He was rushing home
from Europe after hearing of his brother’s assassination by
members of the Katipunan.

Juan Luna,Philippine National Heroes

Tuesday, September 5, 2006

Talumpati ni Noli De Castro sa Lorenzo Sumulong Gawad Parangal

Lorenzo S. Sumulong Gawad Parangal, 9 September 2005

MAGANDANG HAPON SA INYONG LAHAT.

NAIS KONG MAGPASALAMAT SA INYONG MAINIT NA PANGTANGGAP SA AKIN AT SA AKING MGA KASAMAHAN DITO SA PROBINSYA NG RIZAL. IPINA-AABOT KO ANG AKING TAOS-PUSONG PAGBATI SA INYONG MGA TAGA-RIZAL, AT SA MGA KAMAG-ANAK NI SENADOR LORENZO S. SUMULONG. MABUHAY PO KAYO.

AKO PO AY LUBOS NA NAGAGALAK NA MAKASAMA KAYO SA PAGDIRIWANG NG IKA-ISANG DAANG ANIBERSARYO NG KAPANGANAKAN NI SENADOR SUMULONG AT SA PAGBIBIGAY NG LORENZO S. SUMULONG GAWAD PARANGAL SA OUTSTANDING ACHIEVERS NG BAYAN NG ANTIPOLO AT PROBINSYA NG RIZAL. KAYA NAMAN AGAD AKONG NAGPAUNLAK NANG IMBITAHAN AKO NG INYONG KONGRESMAN ANG NAPAKAGALING AT HINAHANGAN KONG SI KONGRESMAN VICTOR SUMULONG.

NAPAPANAHONG PANANALITA

“KUNG SI BONIFACIO AY BUHAY NGAYON, ILAN KAYA SA MGA PULITIKO NGAYON, ILAN KAYA SA MGA TAONG NASA PAMAHALAAN, ILAN KAYA SA MGA ITINURING NA HALIGI NG LIPUNAN, ANG KANYANG TATANGGAPIN SA KANIYANG KATIPUNAN NG MGA ANAK NG BAYAN? ILAN KAYA ANG ITATABOY NIYA AT PAGSASABIHAN: HINDI KAYO MAKAKASAPI PAGKA’T ANG INYONG PAG-IBIG SA BAYAN AY BUKA SA BIBIG NGUNIT KABIG SA DIBDIB, ANG PAGHAHANGAD NINYO SA TUNGKULIN O KAPANGYARIHAN AY HINDI UPANG MAKADAMAY SA INYONG KAPWA KUNDI UPANG MAGPASASA AT MAGPAUNLAD SA SARILING KAPAKANAN.”

NAPAKABIGAT NG MGA KATAGANG ITO. SUBALI’T ITO PO AY HINDI SA AKIN NANGGALING, KUNDI SA TALUMPATI NG ISANG DATING HALIGI NG SENADO, SI SENADOR LORENZO SUMULONG.

NAKAMAMANGHA NA ANG PANANALITA NG ISANG MAGALING NA TAO AY NANANATILING MAKABULUHAN KAHIT ILANG DEKADA NA ANG LUMIPAS. MARAHIL ANG SALITANG TOTOO, TULAD NG KATOTOHANAN MISMO, AY TALAGANG HINDI MALILIMUTAN NG KASAYSAYAN.

MALALIM ANG PAGSUSURI AT PAGTINGIN NI SENADOR SUMULONG SA ATING LIPUNAN. MASAKIT ANG KANYANG PUNA HINDI LANG SA MGA NAMUMUNO, KUNDI PATI NA RIN SA LAHAT NANG NANUNUNGKULAN SA PAMAHALAAN.

SA KASALUKUYANG PANAHON, MARAHIL AY MAARI RIN NATING ITANONG: KUNG SI SENADOR SUMULONG AY BUHAY NGAYON, ANO KAYA ANG KANYANG SASABIHIN TUNGKOL SA ATING MGA PINUNO, TUNGKOL SA ATING MGA INSTITUSYON, AT TUNGKOL SA ATING PULITIKA?

MAKAKATIKIM DIN KAYA TAYO NG KANYANG MAANGHANG NA PUNA, O KAYA’Y BANAYAD NA PAALALA NA DAPAT TAYONG MAGING TAPAT SA ATING MGA TUNGKULIN AT SA ATING INANG BAYAN?

SI SENADOR SUMULONG BILANG MODELO

SINO NGA BA SI SENADOR SUMULONG? KAYONG MGA KABATAAN AY WALANG PERSONAL NA KARANASAN TUNGKOL SA TINATAWAG NA “GLORIOUS DAYS OF THE PHILIPPINE SANATE”. ITO ANG PANAHON KUNG SAAN NAGSAMA-SAMA ANG NAPAKAGAGALING NA SENADOR NG BANSA --- MGA NAGLALAKIHANG HIGANTE NG PULITIKA SA PILIPINAS, MGA TAONG MAY MATINDING PAGMAMAHAL SA BAYAN AT SA KAPWA PILIPINO, MGA PINUNONG MAY PRINSIPYO AT DANGAL.

SA PANAHONG YAON NABUHAY AT NAGLINGKOD SI SENADOR SUMULONG.

AT ANG PAGLILINGKOD NIYA SA BAYAN AY NAGSIMULA NOONG SIYA AY ESTUDYANTE PA LAMANG SA UNIBERSIDAD NG PILIPINAS. TUMAKBO AT NAGWAGI SIYA BILANG NUMBER 1 COUNCILOR NG ANTIPOLO HABANG SIYA’Y NAG-AARAL PA LANG NG ABUGASYA. DAHIL SA KANYANG TALINO AT SIPAG, SIYA ANG PINAKA-UNANG NAGTAPOS NA MAGNA CUM LAUDE SA UP. NAGING BAR TOPNOTCHER SIYA NOONG 1929. AT TATLONG TAON PAGKATAPOS NITO, NAGTAPOS SIYA NG MASTER OF LAWS SA HARVARD UNIVERSITY.

NAKILALA SI LORENZO SUMULONG BILANG EKSPERTO SA FOREIGN RELATIONS. KAHIT SA UNITED NATIONS, NAGPAKITA SIYA NG DETERMINASYON AT TAPANG NG PILIPINO. HANGGANG NGAYON AY NAPAG-UUSAPAN PA SA UN ANG PAKIKIPAGBALITAKTAKAN NI SENADOR SUMULONG KAY PREMIER NIKITA KHRUSCHEV NG RUSSIA TUNGKOL SA PAGBIBIGAY NG KALAYAAN SA MGA NASASAKUPAN NG MALALAKAS NA BANSA. NAPIKON ANG SOVIET PREMIER, AT HINUBAD NI KRUSCHEV ANG KANYANG SAPATOS --- SABI NG ILAN, AY UPANG IPUKPOK SA MESA, SABI NAMAN NG IBA AY UPANG IBATO KAY SENADOR SUMULONG.

SI SENADOR SUMULONG AY ISA RING MAGALING NA IMBESTIGADOR SA KONGRESO. WALANG TAKOT O PAGDADALAWANG-ISIP. HINDI SIYA NANGIMING IBUNYAG ANG KATOTOHANAN SA APAT NA CONGRESSIONAL INVESTIGATIONS NA KANYANG PINAMUNUAN:

UNA, ANG IMPEACHMENT PROCEEDINGS LABAN KAY PRESIDENT QUIRINO DAHIL SA BINTANG NA PAGLUSTAY NG KABAN NG BAYAN;

IKALAWA, ANG IMBESTIGASYON SA TAMBOBONG-BUENAVISTA ESTATE DEAL KUNG SAAN ANG KAPATID NG PRESIDENTE AT ANG KALIHIM NG KATARUNGAN AY NADAMAY;

IKATLO, ANG TUNGKOL SA MULTI-MILLION LOBBY NG MGA TSINO KAY PRESIDENTE MAGSAYSAY PARA SA LEGALIZATION NG MGA TEMPORARY CHINESE VISITORS;

AT IKA-APAT, ANG SIKAT NA STONEHIL INVESTIGATION KUNG SAAN NADAMAY ANG OFFICE OF THE PRESIDENT, MGA SENADOR, KONGRESISTA, MGA OPISYAL NG INTERNAL REVENUE AT CUSTOMS, AT IBA PANG OPISYAL NG GOBYERNO.

SUBALIT TALAGANG NASUBUKAN ANG KANYANG PAGIGING STATESMAN AT ANG KANYANG PAGKATAO NANG PINILI NIYANG MAGRETIRE NA LAMANG DAHIL HINDI SIYA NAISAMA SA SENATORIAL CANDIDATES NG NATIONALISTA PARTY NOONG 1967. KAHIT ISA NA SIYA SA MGA NANGUNANG KANDIDATO SA SENADO NOONG NAKARAANG ELEKSIYON, NATALO SIYA NI ATTY. SALVADOR LAUREL SA NOMINASYON NG PARTIDO.

SINUBUKAN SIYANG KUMBINSIHIN NG LIBERAL PARTY NA LUMIPAT SA KANILA. ANG MALACANANG NAMAN, NAG-OFFER NG MATAAS NA POSISYON SA GOBYERNO. SUBALI’T SI SENADOR SUMULONG AY HINDI NAGPADALA SA MGA ITO. ANG KANYANG NAGING DESISYON: MAGRETIRE NA MUNA KAYSA NAMAN LUMIPAT NG PARTIDO O KAYA’Y KUMUHA NG POSISYON SA GOBYERNO.

TALAGANG DAPAT SIYANG ITURING NA MODELO HINDI LANG NG NAKARAANG HENERASYON, KUNDI PATI NA RIN NG KASALUKUYAN. MERON PA BANG KATULAD NIYA?

PAGTATAPOS

AKO NA RIN PO ANG SASAGOT NITO. ANG SAGOT KO, MERON PA.

MARAMI PANG MGA LIDER, MGA PULITIKO, AT MGA PILIPINO NA MAY KAKAYAHANG MAGSAKRIPISYO PARA SA BAYAN. MARAMI PANG BAYANI –TULAD NG MGA GURO, MGA MAGSASAKA, MGA MALIIT NA ENTREPRENOR, MGA OVERSEAS WORKERS, MGA ORDINARYONG PILIPINO NA NABUBUHAY NG MARANGAL AT SUMUSUNOD SA BATAS.

MGA KAIBIGAN, MARAMING PAGSUBOK ANG PINAGDADAANAN NG ATING BANSA, AT MARAMI PANG DARATING. SUBALI’T AKO’Y MAY MALAKING PAGTITIWALA SA ATING MGA KABABAYAN AT SA ATING MGA LIDER.

NANINIWALA AKO NA SA KAIBUTURAN NG PUSO NATING MGA PILIPINO, NAROON PA RIN ANG PAGMAMAHAL SA BANSA AT ANG PAGNANASANG MAGLINGKOD NG TAPAT --- MGA KATANGIANG ISINABUHAY NI SENADOR SUMULONG.

SANA AY MATUTUTO TAYO SA HALIMBAWANG IPINAKITA NIYA SA ATIN. MAPALAD TAYO SA PAGKAKAROON NG ISANG HUWARAN NA TULAD NI SENADOR LORENZO SUMULONG.

MARAMING SALAMAT PO AT MAGANDANG HAPON, BAYAN!

talumpati,Linggo ng Wika,Noli de Castro,Tagalog speeches

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